 These repainted works restored the white primer around the latex gloves, because of light discolouration. The white oil paint absorbed the yellow light, so I used a quick drying acrylic the over these 'light damaged areas'. Delicately not to over paint the centre piece. I now love it in my bedroom and which developed the interior space to reflect my practice; I also painted the walls green, which contrast. |  This was a first year piece from 2018, it was about climate change. I rendered snow cap mountains which look as though they are melting ice caps. Which comment on our effect on global warming. I am always critical about society's norms and values and change to distribute wealth and destruction. |  During foundation year at The Royal Drawing School, sculpture was paramount, this was the head. The class with, Robert Fawcett, was a very engaging and scientific project, one which I will never forget, like many of his art classes.
I think our creative psychology, are most capable of remembering. I may have gone a little over board with the paint job, but I couldn't resist the humour has captured, poor old Moses here... |
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 The final 'attempt', rather, a going over of wet paint into wet paint to adjust the faces features. You'll see in the portfolio that I decided it looked more like my cleaner did before the outbreak started. A tribute to my cleaner Iwana lol |  My sister India is like a biological twin, only she's not actually, 3 years younger and female. So it was a rather exciting way of interpreting her face from my own, because of social distancing, she refused to sit for any length of time. |  Instead of calling a portrait painting a portrait. I see this work on a tablet as a sort of perfect environment, where all your mistakes are exposed. Knowledge or just steady handedness, this still doesn't look like me; because my friend began to claim it was him. |
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